Just what you’re used to. This statement of course only applies
to the often mentioned „vinyl feeling“ adored
by pretty much every DJ, since DigiScratch combines in an
innovative manner digital technology with a traditional
DJ set with turntables and mixer. Using DigiScratch’s
software, unique time code vinyl record and audio interface
device, you get full DJ control over all audio files on
your computer. Matching, scratching, juggling and so on
– all in realtime: just what you are used to!
The great advantage is the fact that you can use a song
archive of any size with only two vinyl records. And by
the increasing number of internet labels more and more songs
are published exclusively online. Own productions and spontaneous
live recordings of vocals or instruments can be used instantly
as well. Besides, you can of course still use your old vinyls
in a mixed set.
The software player opens a digital audio file and scans
the whole song data. As a result the song overview waveform
is displayed in the player window, using spectral colors
for basses, mids and treble (see screenshot).
The well-engineered DigiScratch software supports all common audio
file formats and offers many features. Key correction, cue
points, beat-synchronized loop playback and an integrated
sample player as well as configurable and zoomable real-time
waveform views, real time BPM detection and various recording
functions, to mention just some of them.
In the freely editable play lists and song archive manager
with fast search function you can assemble virtual record
collections of any size. Additional tools such as a CD ripper,
MP3 encoder and ID3 tag editor make DigiScratch the perfect
DJ software that meets all of your needs.
Features:
- control mode: vinyl record or CD
- supported sound file format: MP3, WAV, AIFF, WMA, OGG,
CDA, ATX, MCA
- simultaneous playback of two tracks from the same CD
- on-board soundcard can be used as an additional channel
(i.e. monitor)
- track selector section on the time code vinyl record
(for mouse-free deejaying)
- different scratch modes (absolute, relative, internal)
- analyse function
- waveform display zoomable and partly different colour
themes
- different waveform display modes, including spectral
colours
- different functions such as time markers, cue points,
live loops and a lot more
- sample player with file editor
- automatic real-time BPM counter
- monitor function
- key (pitch) correction
- freely editable play lists and song archive manager
with databank export and printing
- comfortable track display
- searching / cover display
- MIDI control
- not bound to certain hardware (can
be used with any ASIO soundcard
or FS 1.x USB or 2.x Firewire)
• DigiScratch Modes
Absolute-Mode:
all needle moves and its position on the timecode vinyl will
be used to control the playback.
Relative-Mode: the position of the needle (needle
dropping) is not being considered. Scratching is possible,
for instance using custom set cue points.
Internal-Mode: the vinyl
will be ignored; pure software playback.
• Calibration Tool
An automatic calibration tool adjusts the software for
the hardware used, and thus optimizes the time code detection
quality.
• Waveform
Waveform Single-Scan:
The waveform of the track is only being scanned with the first
title and after that being saved. Through the so called "stripes"
the tracks are being loaded faster when needed again.
Spinning: Forward, backward, fast and
slowly. It's working completely as you like in real-time and
without dropouts.
Track-Seeking: Jump
with just one mouse click to any position in the track.
• 2 Displays for the illustration
of the waveform
- The complete track is being displayed in the upper part,
a track-section of 11 seconds underneath. Thereby a cursor
always indicates the current position of the track.
- Variable cursor position - move the cursor freely in the display
to the left or to the right.
- track display flashes, when the title ends
- switchable time display - track length, already played time
and remaining time
- display of the "beats per minute" (bpm)
- The illustration of the waveform is freely editable, ups, downs
and interaction from both or optional also separately. So beats
can be easily identified optically on the display.
- 2 separate playlists for each player
- monitor function in all playlists and in the data archive
- fast loading time of the tracks
- easy and clear data archive with group structure for individual
sorting arrangement (compatible with BPM Studio data archive)
- easy drag and drop from the archive into the playlists or directly
in the player
- support of the ALCATech remote control panels (RCP0 known from
BPm studio)
- AGC (Automatic Gain Control) for an adjustment of the volume
in the automode * normalization, thereby all titles of the archive
can be provided with a pre-setting of the volume, without the
files itself being changed
- easiest creating, saving and loading of individual playlists
- history function - all played titles are being collected, similar
to a log, and generated in a list
- list modus - as alternative to the archive modus; here the history
is visible and the complete maintenance of all music files can
be done by playlists
- audio formats: MP3 (BBR and VBR), wave, WMA, OGG-vorbis, AAC
- ID3-Tag edit - for the manual entry of title and album information
(ID3-Tag v1 and v2) Software mixer - for the pre-adjustment of
player, monitor and AGC
- recording module - record vinyl-records easily as MP3, record
and scratch own voice-samples, record and save your own mix in
MP3 and wave
- internal MP3-encoder (the high-quality original of the Fraunhofer
Institute),external MP3-encoder are freely linkable
- archive search - find fast and easy a title from the archive
- ripper module - decode your original CD's into the MP3 format
- burner module - burn your mix or your playlists on CD
• Further Functions
- AGC: (Auto
Gain) When playing back digital audio files there sometimes
are big differences in their volume levels. Usually this
is due to different CD mastering (preparation before burning)
methods or different parameters when digitalizing/encoding
the files. The AGC module ensures that your audio files
are played back at a smooth volume level.
- Normalizing:
With normalizing, all songs in an archive will be forced
to have the same maximum volume. The files will not be
modified, it’s all real-time computing.
- Song History:
The order of all titles played will be remembered in a
history list. This is particularly useful when you need
to provide (in the entertainment branch) such information
for legal reasons to music commerce agencies.
- Audioformate:
MP3 (CBR und VBR), Wave, WMA, OGG-vorbis, AAC
- Software-Mixer:
The integrated mixer can be used to control the players,
the monitor and the AGC module.
- ID3-Tag Editor:
To create or modify the song and album information (ID3
tags V1 and V2) a convenient editor is implemented.
- Recording-Module:
A very interesting feature of DigiScratch is the ability
to digitalize (i.e. save the songs as files on your computer)
your records.
- Internal MP3-Encoder:
The recording module would be less useful if you couldn’t
encode the recorded audio data into contemporary, small-sized
high-quality file formats. That’s why DigiScratch
uses the original Fraunhofer MP3 encoding.
The professional hardware option is the DigiScratch Box*,
a high-end soundcard based on RME’s Hammerfall technology.
It has a 24 bit / 96 kHz AD/DA converter, MIDI I/O and volume
knobs for mic-in and monitor-out.
The DigiScratch Box* is being shipped with a PCI or Cardbus
card which supports USB or Firewire with an unmatched performance
at a latency as low as 1.5 ms. Phono pre ams, up to 12 configurable
playback channels and a disconnect / stand alone mode additionally
predestines the Digiscratch Box for home recording.
The second option is a MAYA44 USB soundcard.16 bit / 48
kHz and a latency of 5 ms are a very good choice for semi-professional
use.
The DigiScratch software is not limited to be used with
a certain hardware and can be used with any multichannel ASIO
soundcard or other equipment such as for instance the FS 1.x
USB. The ideal solution if you already own such a device.
Option 1 (DigiScratch Box):*
- high-end soundcard based on RME’s Hammerfall technology
- best performance / low latency (1.5 ms) / Zero CPU by
provided PCI (PC) or Cardbus (laptop) card
- ADC/DAC with 24 bit / 32-96 kHz
- adjustable XLR / 6.3 mm socket microphone-input
- RIAA equalized stereo phono inputs, phono pre amp switchable
to line
- for max dynamics the volume levels are adjusted in the
hardware
- adjustable head-phone output
- 6 hardware outputs, multi client capable,12 configurable
playback channels
- extensive routing possibilities
- MIDI in/out
- copious RME Digicheck analysis tool
- disconnected mode for stand-alone use
- support for ASIO 2.0,GSIF and MME (Wave)

Option 2 (Maya 44 USB):
- USB soundcard
- ADC/DAC with 16 bit / 48 kHz
- 4 analogue inputs / 4 analogue outputs
- digital optical S/PDIF output
- stereo headphones output
- Support for ASIO 2.0 and WDM

*Please note that the Digiscratch Box is no longer
available.
- DigiScratch Software
- + 3 Timecode-Records
- + 2 Timecode Cds
Digiscratch TimeCode Vinyl:
The DigiScratch vinyls contain a reliable multi frequency
time code which ensures a perfect tracking of the record’s
speed.
The player speed (33 RPM or 45 RPM) can be toggled in the
software. Each vinyl’s side plays 12 minutes, the
B side has optical time markers (minutes). The record ends
with an endless groove for long tracks and mixes. An additional
track selector section allows for mouse-free deejaying.
Just put the needle there, and move the record with the
hand: the cursor in the DigiScratch software will move up
or down respectively. When the desired song’s title
is marked, lift the needle and drop it at the beginning
of the vinyl – the song will be loaded into the player.
The time code vinyl has got a standard weight of 160 grams.
It is stable and robust, but can of course also be reordered
at low cost.
Finally, the package includes also time code CDs which
can be used with Jog Wheel CD players to control the DigiScratch
software.

Minimum Requirements
- Windows 2000 / XP
- Pentium III / Athlon 1GHZ, 256 MB RAM, 20MB free HDD
disk space
- free USB port for the dongle
Recommended System
- Windows 2000 / XP /Win 7
- Pentium III / Athlon 2GHZ, 512 MB RAM, 20MB free HDD
disk space
- free USB port for the dongle
Which soundcard is necessary for DigiScratch?
DigiScratch does not need a soundcard since
the DigiScratch-Box contains already a multi-channel soundcard,
which is sufficient for all demands.
Why do I need special records?
The records manufactured especially for DigiScratch
are necessary for mixing the digital audio data. Pitch shifting,
cue pointing, spinning forward and backward, also scratching
the tracks is possible unrestrictedly. Controlling the digital
audio data is executed by the special code of the DigiScratch
records. The records can be utilized together with usual vinyl
LPs, but they only work together with ALCATECH`s DigiScratch
software and DigiScratch-Box.
Can I record my set directly?
BPM Studio includes a Realtime Wave and MP3 recorder
and allows a direct recording of the complete set. The integrated
record module offers the possibility to write Audio or MP3
CDs.
How about the sound quality?
The sound quality depends on the quality of the original
file. We know from experience that 128 kbps (better: 192
kbps) and a MP3 codec of high quality (e. g. the internal
Frauenhofer codec of BPM Studio) are sufficient for club
demands.
Can DigiScratch also execute automatic BPM adjustment?
No, DigiScratch has been developed for working
with digital audio in the same way as with vinyl. For automatic
BPM value determination and adjustment ALCATech`s BPM Studio
products are the best choice.
What happens when a DigiScratch-Record is being destroyed?
The DigiScratch-Timecode-Record can be destroyed
like usual records. But replacements are available at ALCATECH.
Does the DigiScratch Demo work only with ASIO?
No. DigiScratch needs a soundcard with ASIO
drivers. If your soundcard was provided along with an ASIO
driver, we highly recommend to use this one. But if your soundcard
does not support ASIO, it should at least support the WDM
driver model of Windows.